The most common thing families say when they first contact us isn't "I'm not sure which package to choose" or "I'd like to know more about the process." It's this: "I'm worried my parent won't have much to say."

And then they come back after the session and tell us they had no idea.

The stories are almost always there. What's missing, most of the time, is the right invitation to tell them.


Why older parents hold back

The generation now in their late seventies, eighties, and nineties grew up in a particular culture around self-expression. Talking about yourself was, in many households, considered impolite. Hardship was to be endured quietly. Emotional disclosure was private. Getting on with it was the virtue, not reflecting on it.

On top of this, many older people have a genuinely low estimation of their own stories. They measure themselves against a vague idea of what "interesting" means — extraordinary events, famous encounters, dramatic turns of fate — and find themselves lacking. They don't think their life is the kind of life worth telling.

This is almost always wrong. But no amount of insisting on it from the outside changes it. What changes it is asking the right question and then listening to the answer.

The problem with big, open questions

Most families who try to have this conversation make the same mistake: they start with a big, open question. "Tell me about your life." Or: "What was it like growing up?" These questions are too large. They have no obvious entry point. A person who already doubts whether their story is worth telling is given a blank page and asked to fill it from scratch.

The result is usually a short, general answer, followed by a shrug. "Oh, you know. It was just a normal life." And then both people feel like the conversation went nowhere.

The solution is specificity. Not "what was your childhood like?" but "what was the house you grew up in like?" Not "tell me about your work" but "what was the worst boss you ever had?" Specific questions give a person a clear, concrete place to start. They reduce the anxiety of the blank page. And they almost always open a door that leads somewhere far more interesting than the question itself.

"The problem isn't that the stories aren't there. It's that no one has yet asked a question specific enough to unlock them."

The role of objects and photographs

One of the most reliable ways to unlock stories from older people is through objects. A photograph from the 1960s. A piece of jewellery that came from somewhere. A tool from the garage that's been there as long as anyone can remember. An old letter.

Objects bypass the self-consciousness that open questions can trigger. Instead of asking someone to perform their life story, you're asking them to explain an object. "What's this?" leads to "where did you get it?" leads to a story that could only come from this one person.

Before a conversation, or before a formal recording, spend five minutes looking around the room. There will almost certainly be something with a story attached to it that you've never thought to ask about.

The importance of not interrupting

This one is harder than it sounds. When an older person tells a story, they often take the long way around. They circle back. They introduce people who don't seem relevant yet. They pause. They remember something adjacent and follow it for a while before returning.

The temptation — especially for children, who think they already know where the story is going — is to help. To summarise. To move things along. Resist this. The long way around is often where the best material lives. And the moment you interrupt, you've signalled that you're not quite as interested as you seemed, and the story tightens back up.

The most powerful thing you can do, once a story is running, is simply be quiet.

Why family members are sometimes not the right interviewers

There's a strange paradox in family storytelling: the people who most want to hear the stories are often the people who have the hardest time getting them. This isn't because the parent doesn't want to tell them — it's because the relationship itself gets in the way.

Children come to the conversation loaded with history. Old dynamics play out. A parent who's always been private with a particular child stays private with that child. There are stories that aren't told because of who's asking — not because they're secrets, but because the relationship has never included that kind of disclosure.

A stranger, on the other hand — a trained interviewer who arrives without any of that history, who has no expectations and no existing story of who this person is — can often ask questions the family never could, and hear answers the family never would.

This is one of the most common things families discover after a professional life story recording. Their parent told things they had never told the family. Not secrets, necessarily — just the parts of themselves that had never been formally invited out.

When they say "I don't have any interesting stories"

Try this. The next time someone says they don't have an interesting story, ask them this: "What's the hardest decision you've ever had to make?"

Wait. Don't fill the silence.

Almost every person, no matter how private, no matter how convinced they are that their life was ordinary, has an answer to that question. And the answer is almost never boring.


The stories are almost always there. They've just been waiting for the right question, asked by someone who genuinely wants to hear the answer.

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About Great Story Co

Perth's life story recording service

Great Story Co records the life stories of Perth's families — in audio and video — for the people they love to keep forever. Our team travels to your loved one's home anywhere in the Perth metro area. Every recording begins with a free discovery call.

Let our team ask the questions.

A professional interviewer draws out stories that families often can't. Start with a free 20-minute discovery call.

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